It’s a Rocket Ship! VOOOM!
Posted in Uncategorized on 20 February 2009 4:39 PM by geoffA two year old BOY plays with his TOYS on the wood floor.
Farm animals. Cars. Trains. He makes all the appropriate sounds
as he drags them across the floor and bangs them into one another.
BOY
VROOOOOOOOOOM!
He drags a silver rocket ship across the floor.
Okay, it took real ba–, er, nerves, to air a commercial like this. Especially from a bigger company like IKEA, who you really would expect to be more conservative. (on the other hand, it probably only aired in Europe)
Why does it work? Really, juxtaposing a child playing with his mother’s vibrator would be exceedingly creepy if it weren’t so clear that the kid was entirely innocent about what it was making that funny buzzing noise.
But again, why does it work? Why do we respond to it? Why do we laugh? Why do we groan, and maybe cover our eyes or slap our forehead, feeling real embarrassment on behalf of the kid’s fictional mother?
It really comes down to empathy. And projection. So that we, as an audience can picture that kid’s poor mother, having her little secret exposed for our amusement, and can picture ourselves in her situation too. Well, perhaps not that situation, but the archetypal situation wherein something personal we’d just as soon keep private is trotted out for the world to see.
In the context of advertising, it works to not only humanize the company a little bit, but also serves to make us laugh, which also gives us positive associations towards the IKEA brand. (building up a brand is a discussion for someone other than myself… ask Tony). But, yes, the technique, engaging us, making us laugh, letting us empathize with a fictional character is very reminscent of another medium…
Storytelling. Or, in my specific case, screenwriting.
One of the keys to writing a quality (or at least successful, they don’t necessarily line up together) story is to have a character we can root for. And to root for him, we have to empathize with him, to put ourselves in his shoes through the story and care for his fate. Sounds dire, but not all stories are life and death.
In the best comedies, you will be embarrassed for the characters (like the fictional IKEA mother), because you’ll identify with them in some way. You’ll put yourself in their shoes, recall times in your life when you reacted as badly as they are now, maybe worse, and can now laugh at yourself.
“Comedy is tragedy plus time”
Carol Burnett“Tragedy is when I get a hangnail. Comedy is when you fall in a sewer and die.”
Mel Brooks“Life is a tragedy when seen in close-up, but a comedy in longshot.”
Charlie Chaplin
In all these little aphorisms, you’re finding comedy in things you can relate to, yet have some distance from.
In both storytelling and this style of advertising, comedy begets empathy, empathy begets connection, and connection begets success, be it in filling the seats of the cineplex or building on the foundation of a brand to sell organizers for the toys that don’t exactly belong in junior’s toybox.
FADE OUT
Geoff
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